by Jeff Lemire
The final issue in Jeff Lemire's sci-fi romance Trillium prefers suggestion to conclusive declaration. There is perhaps a tidy, decisive explanation for the final few pages, but if so, I don't have it. It's a solemn but hopeful culmination to a series characterized by its soulful lyricism more than its sci-fi apocalypticism.

The mythology of the series is much more difficult to tease out. What relation Nika and William's double lives—alternate twentieth century and distant thirty-eighth—have to one another remains obscure? If Clayton in his final moments alive remembers his other life, if Nika and William each exist in both times, equally knowledgeable and educated for life in both worlds, what truly are the consequences of this tandem existence? Is it a by-product of their time-traveling adventures through the pyramids, or do their double lives exist independent of it? What of the Atabithians? What of the architects of the "Mouth"'s technology? While their journey side-by-side into Trottier-6, the "Mouth of God" and the location of the time-travel networks, is emotionally satisfying, a fitting ending to the romantic arc, it does little to clarify Trillium's earlier prophesies. But the (sometimes frustrating) beauty of "Two Stars Become One" is that ambiguity. When the young white-haired child, a striking double for young Nika, draws the "Mouth" and a single star on the wall of her teepee, the cosmic union of the series' two lovers, the love story seems to begin again.
[June 2014]
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