"Strategies of Multitude"
written by China Miéville
art by David Lapham
And thus enter the Dial cults. There are rumors of a new relic, something Dial-related that has its worshipers piqued. But, despite traveling around the world—Prague, Nairobi, Tokyo, and Perkingham(?)—and posing as acolytes in various costumes worthy of an Abbott and Costello movie, Nelson quickly discovers that "secret cults are boring" (Dial H #7: 4) and perhaps unsurprisingly unforthcoming about their mysteries. Not to be stonewalled by clandestine mysticism, Roxie formulates her own plan to impose an epiphany on Paris's spiritual leader of Dial religion. And, with Nelson off-stage prompting her missed lines of their scripted and rehearsed gospel (in French, no less), Roxie transforms before him into an over-sized, half-mechanized super-woodlouse. No doubt, it would have been disappointing if it weren't also a miracle.
Meanwhile, a new likely villain arrives in Littleville hunting down information about the event that wrecked Ex Nihilo's warehouse. He may perhaps have been mistaken for an art photographer by his cabbie, but he's there for more pointed and lethal exploitation. He wants the Dial...and information on Manteau.
Armed with their own intelligence—gathered with less intimidation though more dishonesty—Roxie and Nelson track the Dial relic to an outpost of Atlantis, a lost temple to the Dials, deep below the ocean surface. Though I personally would have been more than happy to be entranced by his "poetic reverie" (11), Nelson's Daffodil Host gives way—via "reverse dial" (6-7-3-4), i.e., H-E-R-O backwards—to Roxie's Planktonian, a throng of microscopic, single-minded sea creatures. The Dial is already gone, and after a fantastically skirmish with a humpback whale, Roxie returns to the boat with nothing but a tattered special forces patch in French and English. But coupled with the new "meta" in Paris's superhero tabloid, they now know. The Canadians have a Dial.
Superheroes: Tree Knight, Asphaltman, Cuttlefist, Cardamom, Shark Mage, [unnamed woodlouse hero], Daffodil Host, The Planktonian, The Centipede
[February 2013]
In which a relatively recent comic book reader discovers and reviews comics new and old.
Showing posts with label David Lapham. Show all posts
Showing posts with label David Lapham. Show all posts
Wednesday, March 12, 2014
Wednesday, February 12, 2014
Dial H #6
"Offensive Content"
written by China Miéville
art by David Lapham
"Offensive Content" is Dial H's rainy-day story, a brief respite from the main action as Nelson and Roxie are trapped inside for the day. Inevitably, some heroes are more useful than others, but sometimes a "hero" is a danger or a catastrophic embarrassment. Nelson dials up Chief Mighty Arrow, an obstinate flat caricature of an American Indian chief armed with magic arrows and powered by a magic feathered headdress. He's a confection of pop culture racist fantasy and ethnic reductivism. In artist David Lapham's fine imagination, Chief Mighty Arrow cuts a handsome figure with elegant lines and strong features, but his ruddy complexion and parodically mangled English make him little more than a crude stereotype. And so, he doesn't get to leave the house.
Roxie has accumulated a photo-album of such heroes: her Refusenik Dossier, a catalog of heroes she refuses to employ even under the guise of Manteau. Some are racially insensitive—Golliwog—some sexually obscene—Captain Priapus, who probably wouldn't fit under Manteau's cloak anyway—and some historically crude—SS Ilsa. Miéville's vision for Dial H has always been socially interested, and "Offensive Content" is an opportunity to ruminate on the medium's sometimes unsavory history and blunt, unthinking insensitivity.
But as thoughtful and provocative as his perspective might be, it's also a somewhat unsettling portrait of the psychological risks of dialing. Nelson incrementally and unwillingly starts becoming someone else. His irritable impatience might be his own, but his sexism in demanding food from Roxie while he watches TV and his racially callous use of phrases like "heap big" surprise even himself. He is retrospectively ashamed, but even in the short dialing period, Nelson has some minor difficulty keeping himself himself. It's a danger he's far too quick to dismiss despite Roxie's sager warnings.
Superheroes: Chief Mighty Arrow (and his winged horse "Wingy"), Doctor Cloaca, SS Ilsa, Captain Priapus, Kid Torture, Golliwog, ElectroCutie, The Prime Mover, Cock-a-Hoop, Tugboat, [unnamed robot superhero]
[January 2013]
written by China Miéville
art by David Lapham
"Offensive Content" is Dial H's rainy-day story, a brief respite from the main action as Nelson and Roxie are trapped inside for the day. Inevitably, some heroes are more useful than others, but sometimes a "hero" is a danger or a catastrophic embarrassment. Nelson dials up Chief Mighty Arrow, an obstinate flat caricature of an American Indian chief armed with magic arrows and powered by a magic feathered headdress. He's a confection of pop culture racist fantasy and ethnic reductivism. In artist David Lapham's fine imagination, Chief Mighty Arrow cuts a handsome figure with elegant lines and strong features, but his ruddy complexion and parodically mangled English make him little more than a crude stereotype. And so, he doesn't get to leave the house.
Roxie has accumulated a photo-album of such heroes: her Refusenik Dossier, a catalog of heroes she refuses to employ even under the guise of Manteau. Some are racially insensitive—Golliwog—some sexually obscene—Captain Priapus, who probably wouldn't fit under Manteau's cloak anyway—and some historically crude—SS Ilsa. Miéville's vision for Dial H has always been socially interested, and "Offensive Content" is an opportunity to ruminate on the medium's sometimes unsavory history and blunt, unthinking insensitivity.But as thoughtful and provocative as his perspective might be, it's also a somewhat unsettling portrait of the psychological risks of dialing. Nelson incrementally and unwillingly starts becoming someone else. His irritable impatience might be his own, but his sexism in demanding food from Roxie while he watches TV and his racially callous use of phrases like "heap big" surprise even himself. He is retrospectively ashamed, but even in the short dialing period, Nelson has some minor difficulty keeping himself himself. It's a danger he's far too quick to dismiss despite Roxie's sager warnings.
Superheroes: Chief Mighty Arrow (and his winged horse "Wingy"), Doctor Cloaca, SS Ilsa, Captain Priapus, Kid Torture, Golliwog, ElectroCutie, The Prime Mover, Cock-a-Hoop, Tugboat, [unnamed robot superhero]
[January 2013]
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