art by Toni Fejzula
Cormac, the practitioner of dark magic responsible for the spells that brought Veil into this world, is a self-impressed ass. Holed up in his dilapidated cathedral, he is as convinced of his control of the situation as the conspiracy of suited rich men are of theirs. They are foolish men.

But now that she and Dante are separated, she finds herself perhaps more vulnerable than she might have expected. Veil is quite spartan in its spare dialogue, but Fejzula's has again proved itself a compelling narrator. Nowhere in Veil #3 is this more true than the surprisingly affecting and bloody brawl between Veil's familiar, the friendly rat from the subway station, and Cormac's red brute. The red rat's triumph as Veil sleeps unaware of her companion's slaughter and the victor's subsequent whispering in her ear are the issue's most unnerving moments for the future of its heroine, surpassing even her final transformation.
Rucka's tale continues to be a teasing and darkly intriguing apologue, but its characters continue to lack definition and detail, a feature that is further exacerbated by the absence of Dante. Veil is compelling, a supernatural creature from another world still discovering who and what she actually is, and so she gets a pass. But the other human characters are equally archetypal. The story continues apace, but if Rucka intends his world to sustain longevity beyond the most immediate tale, it needs further nuance.
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