art by Mike Norton
Chuck seems to have been hijacked by a "passenger". Maybe it's just the plaintive fear in Chuck's posture and face or maybe it's the creepy thought of an inhuman voice coming from a dog, but Chuck's death—vomiting blood, not unlike Em Cypress—is heartbreaking, especially for Lester. Then the "passenger" comes after Lester, and in the brief moments before he spews it back out, the man catches glimpses of a small nest of baby squirrels in the woods where he and Chuck were running. The "passengers," it seems, are not exclusively human, if they ever really were.

While Dana's personal investigation and private life keep her occupied, her father Sheriff Cypress has his hands full with Ed Holt and his militia of blue-collar discontents with a plan to escape the quarantine by burying underneath it. And Martha meets the likely incarnation of the Jackass crew should they be fortunate enough to be undead and possibly undying.
Revival #19 builds logically on the steps before, but after the previous issue's quiet release, it seems more designed to reposition the immediate conflicts than anything else.
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